These subtle changes being made while playing can make an average distorted solo into a classic. This frees you from standing in front of your pedal board when stage movement is desired. By playing techniques and working the volume on the instrument "clean", "dirty" and in between variations are continuously variable and available "on board". Since the TS10 responds to dynamics, you may want to set the drive and level higher than necessary and back off the level on the guitar. Then switch the effect in and out while setting the level to the desired relationship with the norma sound (usually slightly louder so distorted solos cut through). Set the drive control to your taste (clockwise is most overdriven).
Set the level on the TS10 low, tone at zero, then activate the pedal. Useįirst, set up the sound you normally use for non-distorted operation of your amp (bypassing the TS10). At the same time, sustain is added to the sound. The TS10 boosts the input signal to extremes, and then clips the wave form with semiconductors that have the characteristics to distort naturally, like a tube amp. This is the sound that first made rock and roll famous. It features a Drive control to vary the intensity of the distortion, a Tone control for equalization, and a Level control that varies the overall gain when the distortion is engaged. It provides the sound of an overdriven tube amp. The TS10, Tube Screamer Classic, is the original Tube Screamer that Ibanez became famous for.
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